A resource for all those interested in Icons and Iconography
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What is iconography?
Supporting and Joining the BAI
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Courses
Courses for 2022
Icons in the Modern World: A New Way of Seeing
Studenica Monastery, Serbia
Ancient Byzantine Icon Painting Course
Courses by Aidan Hart
Icons in the Modern World: A New Way of Seeing
Courses by Christopher Perrins
Courses by Hanna Ward
Courses in 2021
Aidan Hart’s Newsletter (Advent 2020)
Courses in 2020
Courses in 2019
Icon painting courses in the UK and Ireland (2019)
Icon painting courses outside the UK and Ireland (2019)
BAI sponsored courses
Iconography Courses at Turvey Abbey
Icon support groups
Reviews
BAI Review (Winter 2021 -22)
BAI Review (Autumn 2021)
BAI Review (Summer 2021)
BAI Review (Spring 2021)
BAI Review (Winter 2020)
BAI Review (Autumn 2020)
BAI Review (Summer 2020)
BAI Review (Spring 2020)
Events and News
Festal Icons – Aidan Hart
Icons in the Modern World: A New Way of Seeing
Rare Icon Painting Techniques: Stone Icons
News 2020-2021
Exhibition 2021
Museum of Russian Icons
2018 Icon Exhibition
Information
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Books on iconography
Materials and Techniques
List of suppliers
L Cornelissen & Son
Boards
Drawing
Gilding
Painting
Rare Icon Painting Techniques: Stone Icons
For Sale
BAI items for sale
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Meditation
Icons and Prayer
Palm Sunday
Pentecost
St. Seraphim of Sarov
Rublev’s Trinity Icon
St. George
The Mother of God of Kazan
The Samaritan Woman
St. Nicholas of Myra
Elizabeth the new martyr
Members’ Work
Living Tradition and Iconography
The church at I’billin
The Risen Christ
Techniques of Icon and Wall Painting
The life of St. John the Baptist
The meaning of icons and their use in prayer
St. Theordore of Tarsus
The Iconostasis in the Coptic Orthodox Church
Embroidered Icons
Perestroika
Looking at Icons in Ethiopia
Saint Catherine’s Monastery, Sinai
Contact
For Sale
BAI items for sale
Other (‘third party’) items for sale