A resource for all those interested in Icons and Iconography
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About us
Aims and Patrons
What is iconography?
Supporting and Joining the BAI
Membership
Policy
Courses
Courses for 2024
London Icon Workshop – September 2024
Gesso Course at Ealing Abbey June 2024
Hanna-Leena Ward icon classes and retreats 2024
Turvey Iconography Courses – 2024
Ancient Byzantine Iconography Course 2024
King’s Foundation School of Traditional Arts
The Oratory Summer School 2024
New School of Iconographic Technique
Ashburnham Christian Trust – 2024
Hanna Ward – 2024
Christopher Perrins – 2024
Globe Arts Studio
Prosopon School of Iconology
Courses in 2023
Prosopon School of Iconology
Justin Venn – 2023
Christopher Perrins – 2023
Christine Hales – 2023
Icon Painting with the Prosopon School of Iconology
Hanna Ward – 2023
Ancient Byzantine Iconography
Ibillin
Courses in 2022
Certificate in Icon Painting
Courses by Aidan Hart
Icons in the Modern World: A New Way of Seeing
Courses by Christopher Perrins
Courses by Hanna Ward
Christine Hales’ on-line courses
Icons in the Modern World: A New Way of Seeing
Studenica Monastery, Serbia
Ancient Byzantine Icon Painting Course
Courses in 2021
Aidan Hart’s Newsletter (Advent 2020)
Courses in 2020
Courses in 2019
Icon painting courses in the UK and Ireland (2019)
Icon painting courses outside the UK and Ireland (2019)
BAI sponsored courses
Iconography Courses at Turvey Abbey
Icon support groups
Reviews
BAI Review (Spring 2024)
Sample of BAI Review
BAI Review (Autumn 2023)
BAI Review (Summer 2023)
BAI Review (Spring 2023)
BAI Review (Winter 2022-2023)
BAI Review (Autumn 2022)
BAI Review (Summer 2022)
BAI Review (Spring 2022)
BAI Review (Winter 2021 -22)
BAI Review (Autumn 2021)
BAI Review (Summer 2021)
BAI Review (Spring 2021)
BAI Review (Winter 2020)
BAI Review (Autumn 2020)
BAI Review (Summer 2020)
BAI Review (Spring 2020)
Events and News
London Icon Workshop – September 2024
The Process of Writing and Icon – June 28th 2024
Gesso Course at Ealing Abbey June 2024
Liverpool Exhibition Image Gallery
King’s Foundation School of Traditional Arts
New School of Iconographic Technique
Hanna Ward – 2024
Exhibition 2023
Exhibition 2023 Timetable
Exhibition 2023 Payments
Coronation Fabric Screens
Praying with Icons
Iconography in Hong Kong
Ibillin
Ancient Byzantine Iconography
Certificate in Icon Painting
Festal Icons – Aidan Hart
Review of Festal Icons: History and Meaning” by Aidan Hart
Icons in the Modern World: A New Way of Seeing
Rare Icon Painting Techniques: Stone Icons
News 2020-2021
Exhibition 2021
Museum of Russian Icons
2018 Icon Exhibition
Information
Membership
Links
Books on iconography
Festal Icons – Aidan Hart
Review of Festal Icons: History and Meaning” by Aidan Hart
Materials and Techniques
List of suppliers
L Cornelissen & Son
Boards
Drawing
Gilding
Painting
Rare Icon Painting Techniques: Stone Icons
For Sale
BAI items for sale
Other items for sale
Meditation
Icons and Prayer
Palm Sunday
Pentecost
St. Seraphim of Sarov
Rublev’s Trinity Icon
St. George
The Mother of God of Kazan
The Samaritan Woman
St. Nicholas of Myra
Elizabeth the new martyr
Members’ Work
Lady Grania Munro
Living Tradition and Iconography
The church at I’billin
The Risen Christ
Techniques of Icon and Wall Painting
The life of St. John the Baptist
The meaning of icons and their use in prayer
St. Theordore of Tarsus
The Iconostasis in the Coptic Orthodox Church
Embroidered Icons
Perestroika
Looking at Icons in Ethiopia
Saint Catherine’s Monastery, Sinai
Contact
Our aims and organisation
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